Arthur Levett Jackson (1834 - 1888)
Documentary detail on Jackson’s personal life is comparatively sparse, a common situation for c.19th engravers, whose labour underpinned illustrated publishing but who rarely received the individual attention given to painters or draughtsmen. What can be reconstructed places him firmly within the skilled artisan class that supported Sydney’s expanding print culture in the mid to late Victorian period.
Born in 1834, likely in Britain, Jackson would have served a formal apprenticeship in wood engraving, a trade demanding precision, patience, and close collaboration with publishers. Training involved mastering engraving tools (burins and gravers), working on dense end-grain boxwood blocks, and learning to translate tonal wash drawings into systems of line, hatch, and stipple. Such training suggests a background in an urban craft environment rather than an academic art school.
His migration to New South Wales probably occurred during the great waves of skilled British emigration to Australia in the 1850s–60s, when the colonial press was expanding rapidly.
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John Rider Roberts (1820 - 1868)
Roberts was a landscape painter, illustrator, surveyor and architect. He was firstly in partnership with Henry Haege as surveyors, civil engineers and architects. One of Roberts’s major artistic activities was 'improving’ the survey plans he and Haege provided for land auctioneers by adding topographical views of the areas up for subdivision. Roberts was closely associated with the Illustrated Sydney News up until his death. He provided many topographical drawings and was head of the art department. Roberts also 'tidied up’ drawings from less competent artists before the woodblocks were made. Roberts seems to have been the last of the many proprietors in partnership with its longstanding engraver, printer and publisher, W.G. Mason.
Listed as a painter, architect and surveyor of Hordern Street, Newtown, in 1867, John R. Roberts died of 'dropsy’ on 30 June 1868.
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