C1923

Argyle Steps

Superb sepia etching by Edward Warner of the Argyle Steps in Sydney’s Rocks showing a horse drawn dray about to go under the Cut. The Cut was begun with convict labour in 1843 to provide direct easy access between Millers … Read Full Description

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S/N: PM-WARNER-017–225204
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Details

Full Title:

Argyle Steps

Date:

C1923

Condition:

In good condition.

Technique:

Etching printed in sepia numbered 3 of 45

Image Size: 

180mm 
x 300mm

Frame Size: 

450mm 
x 550mm
AUTHENTICITY
Argyle Steps - Antique Print from 1923

Guaranteed Vintage Item
dated:

1923

Description:

Superb sepia etching by Edward Warner of the Argyle Steps in Sydney’s Rocks showing a horse drawn dray about to go under the Cut. The Cut was begun with convict labour in 1843 to provide direct easy access between Millers Point and The Rocks but was not completed until 1859. Numbered 3 from the edition of 45.

Alfred Edward (Ernest) Warner (1879 - 1968)

Warner was born in London 27 May 1879, and known as, ‘Teddy’ to friends. He studied printing and commercial art at a local Polytechnic college. He learnt the techniques of stone lithography, woodcut printing, etching, airbrush techniques and scraperboard. By the time he married, he ran his own commercial studio in London. In 1911 he travelled to Australia with his in-laws. Finding employment opportunities difficult, he moved to Auckland, New Zealand where he was head of job-printing at ‘The Star’. It was at this time he made his first etchings. Returning to Australia in about 1919, he worked as a commercial artist. In c.1922 he once more began etching and exhibiting, earning a considerable reputation for his work. In 1930 his daughter began to help in the studio preparing plates and printing and in 1936 he was joined by his son, who printed many works. In the mid 1930s Alfred Warner and his wife travelled in a caravan around NSW and Victoria collecting material for his prints. In the late 1930s he produced a series of colour linocuts. Designed by Alfred they were cut by his daughter and printed by his son - hence the signature, ‘The Warners’. During the depression years Warner also produced popular etchings under the pseudonyms RALPH MALCOLM WARNER, C. JACK, C. J. DODD, BRUETON, G. MARLER and G. MARTIN. There were also a range of unsigned cards. Warner also produced screenprints towards the end of the 1930s, having taught himself from American magazines. He specialised in producing photographic stencils and also sold screenprinting equipment that he designed and made. He does not seem to have made any relief prints and only a few etchings after 1938. Warner died in 1968. Roger Butler, Prints and printmaking NGA, 2009

View other items by Alfred Edward (Ernest) Warner

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