C1924

Oeyama

Artist:

Tsukioka Kogyo (1869 - 1927)

Woodblock from the series Nogaku hyakuban (One Hundred No Dramas) In the Noh Play Oe-yama, Yorimitsu and his companions, disguising themselves as yamabushi priests, set off at the command of the Emperor to find and kill a demon known as … Read Full Description

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S/N: JWB-KOGYO-054–226884
(C117)
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Details

Full Title:

Oeyama

Date:

C1924

Artist:

Tsukioka Kogyo (1869 - 1927)

Condition:

In good condition.

Technique:

Woodblock.

Image Size: 

255mm 
x 380mm
AUTHENTICITY
Oeyama - Vintage Print from 1924

Guaranteed Vintage Item
dated:

1924

Description:

Woodblock from the series Nogaku hyakuban (One Hundred No Dramas)

In the Noh Play Oe-yama, Yorimitsu and his companions, disguising themselves as yamabushi priests, set off at the command of the Emperor to find and kill a demon known as Shuten-doji. Guided to his dwelling on Oe-yama by a woman who has been captured and made to work for him, they beg a night’s lodging there. Shuten-doji is alarmed that his hiding-place is has been discovered, but because of a promise he has made never to lift his hand against priests, he feels bound to receive them hospitably. They drink together, but later that night when he has taken on his true form as a demon, he is surprised in his sleep and eventually killed by his enemies.

Biography:

Tsukioka Kogyo (1869-1927)

Although Kogyo was born the year after the beginning of the Meiji restoration, which brought Japan into the modern Western world, he was to become famous for his depiction of scenes from the traditional Japanese theatre Noh. A talented and prolific artist he was to created over 550 prints of Noh plays.

At the age of fifteen he was apprenticed to the great woodblock artist Tsukioka Yoshitoshi (1839-1892), who had married his mother.  Yoshitoshi, had a “lifelong fascination with Noh” and influenced his apprentice to appreciate all aspects of Noh perfomances.  After Yoshitoshi’s death, he went on to study with the painter and woodblock artist Ogata Gekko (1859-1920), who his more modern style Kogyo was to adapt for his woodblocks.

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