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C1872
Manila Girl Waiting for the Ferry.
Very rare colour lithograph of a Manila Girl Waiting for the Ferry. This lithograph is a supplement to the Illustrated Australian News, originally a painting by Nicholas Chevalier and lithographed by William Dickes. In 1867 Chevalier joined the entourage of the … Read Full Description
$A 1,250
S/N: IAN-PI-PHIL-7207-SUPP–380007
(F29)
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Details
Full Title:
Manila Girl Waiting for the Ferry.
Date:
C1872
Condition:
In good condition, with centre fold as issued.
Technique:
Lithograph printed in colour.
Image Size:
261mm
x 416mm
Paper Size:
403mm
x 554mm
AUTHENTICITY
Genuine antique
dated:
1872
Description:
Very rare colour lithograph of a Manila Girl Waiting for the Ferry. This lithograph is a supplement to the Illustrated Australian News, originally a painting by Nicholas Chevalier and lithographed by William Dickes.
In 1867 Chevalier joined the entourage of the Duke of Edinburgh for His Royal Highness’s tour of Victoria and Tasmania, and subsequently remained with the Duke’s party, leaving Australia in 1869 on the royal yacht Galatea. After a year cruising the Pacific and Indian Oceans, Chevalier returned to England, where he showed paintings of his travels in Australia, New Zealand, Tahiti, the Philippines and Ceylon, at the Crystal Palace and the South Kensington Museum in 1872.
Collections:
State Library NSW: Reference code 837007
Not in following collections:
National Gallery Australia
National Gallery Victoria
National Library Australia
State Library Victoria.
Nicholas Chevalier (1828 - 1902)
Nicholas Chevalier (1828-1902) Chevalier was born in St Petersburg, Russia. He studied painting in Switzerland, moving to London in 1851 achieving some success in painting and lithography. He arrived at Melbourne in 1855, visited the goldfields, attended to his father's business and planned his return to Europe but the newly-established Melbourne Punch and later, the Illustrated Australian News found his talents invaluable and he decided to stay. He was very popular as artist for Melbourne Punch and in establishing himself in Melbourne colonial society as a painter and lithographer. After exploring and painting in many parts of Victoria, Chevalier visited New Zealand where he travelled widely, painting landscapes that reminded him of his ancestral home. From 1882 he was London adviser to the National Gallery of New South Wales. He died in London on 15 March 1902.
View other items by Nicholas Chevalier
William Dickes (1815 - 1892)
William Dickes (1815-1892) was an English illustrator, engraver, printmaker and lithographer. He worked as an apprentice to the wood-engraver Robert Edward Branston, Allen Robert Branston's son, in about 1831. He studied at the Royal Academy Schools in 1835 and displayed examples of oil-colour printing at the Great Exhibition. He founded William Dickes & Company in London in about 1864, his workshop and office being at 48 Salisbury Square, Fleet Street, London (1846–48); 4 Crescent Place, Bridge Street, Blackfriars, London (1849–51); 5 Old Fish Street, Doctor's Common, London (c.1852); 109 Farringdon Road, London (c.1867-1875). Dickes collected many awards for the quality of his lithography. Although starting with wood-engraving, he moved to, and developed new processes in colour lithography using copper plates. His work was exhibited at International Exhibitions in London, Dublin and Paris in the 1860s. He had also been a Baxter licensee.
