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C1814
Part of Harvey’s Isles, with the main land behind: taken Aug. 21. 1802 at eight a.m.
Artist:
Rare c.19th coastal profile of Harvey Island, in Temple Bay by William Westall, artist on board Matthew Flinders seminal survey of the Australia on the Investigator. Flinders log Saturday 21 August 1802; Part of the Harvey’s Isles of captain Cook, of which, and … Read Full Description
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Details
Full Title:
Part of Harvey’s Isles, with the main land behind: taken Aug. 21. 1802 at eight a.m.
Date:
C1814
Artist:
Condition:
In good condition.
Technique:
Hand coloured copper engraving.
Image Size:
435mm
x 40mm
Paper Size:
455mm
x 80mm
AUTHENTICITY
Genuine antique
dated:
1814
Description:
Rare c.19th coastal profile of Harvey Island, in Temple Bay by William Westall, artist on board Matthew Flinders seminal survey of the Australia on the Investigator.
Flinders log Saturday 21 August 1802;
Part of the Harvey’s Isles of captain Cook, of which, and of the main coast as far as Island Head, Mr. Westall made a sketch (Atlas, Pl. XVIII. View 7). image At half past nine, when we tacked from Harvey’s Isles, I was surprised to see trees upon them resembling the pines of Norfolk Island; none such having been before noticed upon this coast, nor to my knowledge, upon any coast of Terra Australis. Pines were also distinguished upon a more southern islet, four miles off, the same which had been the northern extreme at the preceding noon; and behind it was a deep bight in the land where there seemed to be shelter. The breeze had then shifted to south, and the Lady Nelson being to windward, the signal was made for her to look for anchorage; but the brig being very leewardly, we passed her and stood into the bight by an opening between the islets of one mile wide and from 10 to 7 fathoms in depth. On the soundings decreasing to 5, we tacked and came to an anchor near the pine island in the entrance, in 7 fathoms coarse sand, exposed between N. 75° and S. 23° E, and the wind was then at south-east; but having a fair passage by which we could run out to the northward., in case of necessity, I did not apprehend any danger to the vessels.
From: Flinders, M. A Voyage to Terra Australis, undertaken for the purpose of completing the discovery of that vast country, and prosecuted in the years 1801, 1802, and 1803, in His Majesty’s Ship The Investigator and subsequently in the armed vessel Porpoise and Cumberland schooner.
References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 756.
Tooley, R.V. The Mapping of Australia. London 1979 : pp. 77-79.
Perry, T. & Prescott, D. A guide to maps of Australia in books published 1780-1830. Canberra 1996 : 1814..
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 576.
Hill, J. The Hill Collection of Pacific Voyages. San Diego 1974 : 614.
Wantrup, J. Australian Rare Books. Sydney, 1987 : 67a.
Ingleton, G. Charting a Continent. Sydney 1944 : 6487.
Collections:
National Library Australia: Bib ID 589314
Royal Collection Trust UK: RCIN 1054637
Silent World Foundation, Sydney.: SKU SF000813
State Library Victoria: CCF 919.4 F64V
William Westall (1781 - 1850)
Westall was a landscape artist born at Hertford, England. He was taught to draw by his elder half-brother Richard (1765-1836), a water-colour painter, Royal Academician and painting teacher to Princess Victoria. In 1799 he was admitted to the Royal Academy School, where he was studying when at 19 he was appointed landscape artist with Matthew Flinders' Investigator expedition to Australia, at a salary of 300 guineas. During the voyage he made a large number of pencil-and-wash landscapes in places visited by the Investigator and a series of coast profiles in pencil. When the Porpoise ran aground on Wreck Reef his sketches were 'wetted and partly destroyed' and, while Westall travelled in China, the drawings, regarded as part of the official record of the voyage, were taken by Lieutenant Robert Fowler to England. There, at the suggestion of Sir Joseph Banks, they were handed to Richard Westall to be 'restored to a proper state'. After spending some time in China and India Westall returned to London in February 1805 and sought access to the sketches to paint a picture for exhibition at the Royal Academy and showed a View of the Bay of Pines at the academy later in the year. In the summer of 1805 Westall went to Madeira and twelve months later to Jamaica. After returning to England he painted a series of water-colour views of the places he had visited and these were shown in a Brook Street gallery and at the Associated Artists' exhibition in 1808. Later he received commissions from the Admiralty to paint nine pictures to illustrate Flinders' A Voyage to Terra Australis … (1814), and was engaged by several London publishers to paint water-colours to be reproduced as aquatints.
