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C1898
Sakuramachi no Chunagon.
Artist:
Ogata Gekko (1859 - 1920)
Sakuramachi no Chunagon, the “Cherry Blossom District Court Noble”, the name for the 12th century courtier Fujiwara no Shigenori who is said to have had a great love of cherry trees and planted many in the capital. From the series … Read Full Description
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S/N: GEKKO-005–215283
Categories: Binjin, Kabuki, Landscapes etc
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Details
Full Title:
Sakuramachi no Chunagon.
Date:
C1898
Artist:
Ogata Gekko (1859 - 1920)
Condition:
In good condition.
Technique:
Image Size:
220mm
x 325mm
AUTHENTICITY
Genuine antique
dated:
1898
Description:
Sakuramachi no Chunagon, the “Cherry Blossom District Court Noble”, the name for the 12th century courtier Fujiwara no Shigenori who is said to have had a great love of cherry trees and planted many in the capital. From the series Nihon hana zue (Pictures of flowers of Japan) Gekko was born Nakagami Masanosuke, in the Kobayashi district in Edo where he lived most of his life. The famous artis family, the Ogata’s adopted him and the young artist appended their family name to his which means ‘Moonlight’.
Biography:
Ogata Gekko (1859-1920)
Gekko’s was born Nakagami Masanosuke in the Kobayashi district of Edo (Tokyo), and lived most of his life in the same district. His father was a wealthy merchant who ran the family business which had been established for several generations.
Gekko was orphaned at the age of 16 when his father died and his family lost their businesses and had to open a lantern shop. The teenage Gekko survived by designing rickshaws and selling his drawings. His rickshaws were shown at the Interior Exhibition of Industrial Design as examples of fine contemporary craftsmanship.
After this and after producing an immense number of paintings and sketches, he was recognized by such important figures as the artist Kawanabe Kyosai (often credited for ‘discovering’ Gekko) and the famous Ogata family, direct descendants of one of Japan’s most celebrated artists, Ogata Korin (who was himself older brother to the legendary artist, Ogata Kenzan). Ogata Koya adopted him and the young artist appended their family name to the name he gave himself, Gekko, which means ‘Moonlight’.
Though Gekko would later become a founding member and developer of several important art institutions, including Nihon Bijutsu Kyôkaï, Nihon Seinen Kaïga Kyôkaï (the Japan Youth Painting Association), the Academy of Japanese Art, the Bunten (the Ministry of Education’s annual juried exhibition), and an actively participating member of the Nihon Bijitsuin and the Meiji Fine Art Association, he never attended art school himself, nor did he undergo the traditional apprenticeship in a print maker’s studio. In a society that discouraged self-promotion, Gekko began his art career by preparing flyers and taking them around to various publishers and places to sell his services as an illustrator for magazines and newspapers and a designer of lacquerware and pottery.
Although his techniques were thoroughly modern, Gekko considered himself to be firmly rooted in the ukiyo-e tradition. Though he had no teacher himself, he had some outstanding pupils during a 30 year teaching career, including Yamamura Toyonari (Koka), his son Ogata Getsuzan, Kanamori Nanko, and Tsukioka Kôgyo (1869-1927), whose mother had married the Meiji Period’s other great artist, Tsukioka Yoshitoshi.
