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Scarce, very large engraved c.19th depiction of the Battle of Tofrek, Soudan. The Battle of Tofrek was fought near Suakin in eastern Sudan between British imperial forces and Mahdist Sudanese troops during the Mahdist War. A column of British and … Read Full Description
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Within Australia
All orders ship freewithin Australia
Rest of the World
Orders over A$300
ship free worldwide
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Scarce, very large engraved c.19th depiction of the Battle of Tofrek, Soudan.
The Battle of Tofrek was fought near Suakin in eastern Sudan between British imperial forces and Mahdist Sudanese troops during the Mahdist War. A column of British and Indian soldiers under Major-General Sir John McNeill was constructing a defensive zariba (thorn enclosure) when it was suddenly attacked by a large Mahdist force. Fierce hand-to-hand fighting followed, but disciplined rifle fire and the use of Gardner machine guns enabled the British to repel the assault. The engagement resulted in heavy Mahdist losses and secured the route inland from Suakin, though at significant cost to the British contingent.
From: The original edition of The Graphic.
Collections:
State Library New South Wales: CALL NUMBERS TF00009
National Library Australia: Bib ID 2855507
State Library Victoria: Record ID 9910359523607636
Met Museum New York: Accession Number: 28.111.12
Royal Academy: Record number 14/3950
Charles Edwin Fripp (1854 - 1905)
English artist and war correspondent, was born on 4 September 1854 in London, the son of George Arthur Fripp, a noted watercolour painter of the Bristol School, and Mary Percival. He was part of an accomplished artistic family that included his brothers Thomas William Fripp and Robert McDonald Fripp. Educated initially in England, Fripp received formal art training at the Royal Academy Schools, where he developed strong draughtsmanship and an aptitude for vigorous figure composition. Fripp first gained recognition as a painter of military and historical subjects. His early works exhibited at the Royal Academy during the 1870s revealed a keen interest in contemporary conflict, a theme that was to dominate his career. In 1879 he was appointed special artist and correspondent for The Graphic, one of the leading illustrated newspapers of the Victorian period. In this capacity he travelled widely to report on imperial campaigns, providing vivid on-the-spot sketches that were later worked up into finished illustrations. He covered numerous conflicts for the British press, including the Anglo-Zulu War (1879), the First Boer War (1880–81), the Sudan campaign (1884–85), and the North-West Frontier campaigns in India. Fripp’s illustrations, executed with energy and immediacy, were among the most widely reproduced visual records of these events and helped shape British public perceptions of colonial warfare. He combined the roles of artist and journalist at a time when illustrated reporting was at its height, and his work is valued for both documentary accuracy and artistic quality. Although best known as an illustrator, Fripp continued to paint in oils and watercolours. He exhibited military scenes at the Royal Academy and other London galleries, and several of his larger canvases were later acquired by regimental museums. In 1890 he settled for a period in Canada, where he worked as an illustrator and contributed to the developing art scene in British Columbia before eventually returning to England. Charles Edwin Fripp died in Montreal, Canada, on 16 November 1906. His work is represented in a number of public collections, including the National Army Museum, London, and various Commonwealth institutions. Remembered as one of the most accomplished war artists of the late Victorian era, Fripp played a significant role in establishing the visual tradition of modern battlefield reportage.
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