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C1788
A View of the Fort of Peteter.
Artist:
Rare c.18th aquatint by William Hodges (1744-1797) of Fort of Patihata, during his stay with Governor General Warren Hastings at Chunar in 1781. The fort of Patihata was at that time being held by the rebellious Nawab Chait Singh, but … Read Full Description
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Details
Full Title:
A View of the Fort of Peteter.
Date:
C1788
Artist:
Condition:
Small tear at lower sheet edge into the title, light mark on right hand side, otherwise in good condition.
Technique:
Original aquatint printed in sepia.
Image Size:
455mm
x 300mm
Paper Size:
480mm
x 330mm
AUTHENTICITY
Genuine antique
dated:
1788
Description:
Rare c.18th aquatint by William Hodges (1744-1797) of Fort of Patihata, during his stay with Governor General Warren Hastings at Chunar in 1781. The fort of Patihata was at that time being held by the rebellious Nawab Chait Singh, but British forces attacked and reclaimed the fort. Chait Singh fled west to Gwalior.
From: William Hodges, Select Views in India, drawn on the Spot, in the years 1780, 1781, 1782, and 1783, and executed in Aqua Tinta
References:
Abbey, J.R. Travel in Aquatint and Lithography 1770-1860. London 1972: 416.
Archer, M. Early Views of India. The Picturesque Journeys of Thomas and William Daniell, 1786-1794. Lonon & New York 1980: pp. 97-100, ill. p. 99.
Godrej, P. & Rohatgi, P., Scenic Splendours : India through the Printed Image. 1989 London: p. 44, fig. 16,17.
Collections:
Royal Academy: 03/2612
British Museum London: 1917,1208.14.1-49
Met Museum New York: 66.631.3
Royal Collection Trust UK: RCIN 1070250
William Hodges (1744 - 1797)
William Hodges was born in London, the only son of Ann and Charles Hodges, a blacksmith of St. James's Market London. They encouraged their son's talent for drawing and placed him in William Shipley's drawing school at Castle Court in the Strand. Joining Richard Wilson as an apprentice in 1758, he was required to assist his master 'in dead colouring and the forwarding of pictures'. A short period of study under Wilson and Cipriani at the Duke of Richmond's Gallery developed his style for classical composition. He was appointed artist on the Resolution and left Plymouth on 13 July 1772 and returned on 29 July 1775.
