C1788

A View of Tombs at Secundru near Agra.

Rare c.18th aquatint by William Hodges (1744-1797) of Sikandra, near Agra the site of a number of tombs, takes its name from Sultan Sikander Lodi (1489-1517), one of the last kings of the Delhi Sultanante. The tomb of the Mughal … Read Full Description

$A 750

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S/N: INDIA-HODG-040–216698
(F31)
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Details

Full Title:

A View of Tombs at Secundru near Agra.

Date:

C1788

Condition:

Faint smudging in areas, otherwise will be in good condition.

Technique:

Original aquatint printed in sepia.

Image Size: 

455mm 
x 290mm

Paper Size: 

495mm 
x 335mm
AUTHENTICITY
A View of Tombs at Secundru near Agra. - Antique View from 1788

Genuine antique
dated:

1788

Description:

Rare c.18th aquatint by William Hodges (1744-1797) of Sikandra, near Agra the site of a number of tombs, takes its name from Sultan Sikander Lodi (1489-1517), one of the last kings of the Delhi Sultanante. The tomb of the Mughal Emperor Akbar, know as Akbar the Great, ruled an empire that stretched across North India from 1556 to 1605, is seen towering above the trees.

From: William Hodges, Select Views in India, drawn on the Spot, in the years 1780, 1781, 1782, and 1783, and executed in Aqua Tinta

References:
Abbey, J.R. Travel in Aquatint and Lithography 1770-1860. London 1972: 416.
Archer, M. Early Views of India. The Picturesque Journeys of Thomas and William Daniell, 1786-1794. Lonon & New York 1980: pp. 97-100, ill. p. 99.
Godrej, P. & Rohatgi, P., Scenic Splendours : India through the Printed Image. 1989 London: p. 44, fig. 16,17.

Collections:
Royal Academy: 03/2612
British Museum London: 1917,1208.14.1-49
Met Museum New York: 66.631.3
Royal Collection Trust UK: RCIN 1070250

 

William Hodges (1744 - 1797)

William Hodges was born in London, the only son of Ann and Charles Hodges, a blacksmith of St. James's Market London. They encouraged their son's talent for drawing and placed him in William Shipley's drawing school at Castle Court in the Strand. Joining Richard Wilson as an apprentice in 1758, he was required to assist his master 'in dead colouring and the forwarding of pictures'. A short period of study under Wilson and Cipriani at the Duke of Richmond's Gallery developed his style for classical composition. He was appointed artist on the Resolution and left Plymouth on 13 July 1772 and returned on 29 July 1775.

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