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Mapmaker:
Detailed c.19th colour printed engraved map of Asia by Edward Weller (1818-1894). From W.G. Blackie’s, The Comprehensive Atlas & Geography of the World… Collections:National Library Australia: Bib ID: 1818869State Library New South Wales: Call Numbers:TF03289David Rumsey Collection: List No: 1589.004
$A 125
Within Australia
Rest of the World
Orders over A$300
ship free worldwide
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Detailed c.19th colour printed engraved map of Asia by Edward Weller (1818-1894).
From W.G. Blackie’s, The Comprehensive Atlas & Geography of the World…
Collections:
National Library Australia: Bib ID: 1818869
State Library New South Wales: Call Numbers:TF03289
David Rumsey Collection: List No: 1589.004
Edward Weller (1819 - 1884)
Distinguished British cartographer, engraver, and publisher whose work contributed significantly to the popular dissemination of geographic knowledge in the mid to late c.19th. Active during a period of rapid expansion in global exploration and imperial cartography, Weller became one of the foremost mapmakers associated with The Weekly Dispatch Atlas and later the London Atlas of Universal Geography, works that brought high-quality maps to a broad middle-class readership.
Born in London in 1819, Weller trained as a draughtsman and engraver in an era when advances in lithography and steel-plate engraving were transforming the mapmaking industry. By the 1840s, he had established himself at 34 Red Lion Square, Holborn, where he operated as an engraver, draughtsman, and publisher. His early work included finely engraved maps for a variety of publishers and periodicals, but he rose to prominence through his long association with the publisher Cassell, Petter & Galpin.
Edward Weller’s contributions helped standardise mid-Victorian cartographic design and facilitated public engagement with geography through affordable, well-made maps. He remained active in London until his death in 1884. His output represents a bridge between the artisanal engraving traditions of the early nineteenth century and the industrial lithographic production that came to dominate the later Victorian period.
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