C1886

Evening on the Yarra.

Scarce c.19th hand coloured engraving of an evening scene on the Yarra. References: Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9829g. Hughes-d’Aeth, T. Paper Nation : The Story of the Picturesque Atlas of Australia. Melbourne 2001. … Read Full Description

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S/N: PAA-VM-2145–225782
(C046)
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Details

Full Title:

Evening on the Yarra.

Date:

C1886

Condition:

In good condition

Technique:

Hand coloured engraving.

Image Size: 

125mm 
x 195mm

Paper Size: 

146mm 
x 218mm
AUTHENTICITY
Evening on the Yarra. - Antique View from 1886

Genuine antique
dated:

1886

Description:

Scarce c.19th hand coloured engraving of an evening scene on the Yarra.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9829g.
Hughes-d’Aeth, T. Paper Nation : The Story of the Picturesque Atlas of Australia. Melbourne 2001.

Collections:
National Library Australia: Bib ID 1654251
National Gallery Australia: LEGACY ID 34588
Royal Collection Trust UK: RCIN 1046852
Getty Museum Los Angeles: Object name: 1218593
State Library New South Wales: RECORD IDENTIFIER 74VvDRQZXzWd
State Library Victoria: CCF 919.4 G19

John Mather (1848 - 1916)

John Mather (1848?-1916) Mather was painter, etcher and teacher, born at Scotland who migrated with his parents to Australia in 1878. He had hoped to practise professionally but when he settled in Melbourne realized he would be unable to make an immediate living from painting, and worked as a house decorator.  He built a studio at Lilydale and much of his painting was done in the surrounding countryside. He was foundation member of the Victorian Artists' Society and in 1912 he joined Fred McCubbin, Meldrum, Walter Withers and others to form a breakaway group, the Australian Art Association. After constant campaigning for the inclusion of an artist on the board of trustees of the Public Library, Museums and National Gallery of Victoria, Mather was appointed in 1892. He was a member of the Felton Bequest Committee in 1905-16 and in this capacity, and as trustee, he strongly supported Australian art.

View other items by John Mather

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