C1869

Fitzroy Iron Works: Scene on the Tramway Between t…

Rare colonial engraving of the Fitzroy Iron Works at Mittagong, New South Wales, which was the first commercial iron smelting works in Australia beginning operations in 1848. From the original edition of the Illustrated Sydney News. Collections: State Library New … Read Full Description

$A 155

In stock

S/N: ISN-NC-690415169B–347136
(B003)
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Details

Full Title:

Fitzroy Iron Works: Scene on the Tramway Between the Works and Coal Mine.

Date:

C1869

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size: 

235mm 
x 176mm
AUTHENTICITY
Fitzroy Iron Works: Scene on the Tramway Between the Works and Coal Mine. - Antique View from 1869

Genuine antique
dated:

1869

Description:

Rare colonial engraving of the Fitzroy Iron Works at Mittagong, New South Wales, which was the first commercial iron smelting works in Australia beginning operations in 1848.

From the original edition of the Illustrated Sydney News.

Collections:
State Library New South Wales: F8/39-40
State Library Victoria: PCINF SLVIC=1853-1872
National Library Australia: Bib ID 440095

Arthur Levett Jackson (1834 - 1888)

Documentary detail on Jackson’s personal life is comparatively sparse,  a common situation for c.19th engravers, whose labour underpinned illustrated publishing but who rarely received the individual attention given to painters or draughtsmen. What can be reconstructed places him firmly within the skilled artisan class that supported Sydney’s expanding print culture in the mid to late Victorian period.

Born in 1834, likely in Britain, Jackson would have served a formal apprenticeship in wood engraving, a trade demanding precision, patience, and close collaboration with publishers. Training involved mastering engraving tools (burins and gravers), working on dense end-grain boxwood blocks, and learning to translate tonal wash drawings into systems of line, hatch, and stipple. Such training suggests a background in an urban craft environment rather than an academic art school.

His migration to New South Wales probably occurred during the great waves of skilled British emigration to Australia in the 1850s–60s, when the colonial press was expanding rapidly.

View other items by Arthur Levett Jackson

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