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C1822
Frontispiece to Taylor’s Perspective
Artist:
Scarce engraving by William Hogarth from the Heath/Cradock issue of the engraved plates. Hogarth designed this image for Kirbey’s, Perspective of Architecture. From Hogarth, William. The Works of William Hogarth From the Original Plates Restored by James Heath. With the … Read Full Description
$A 750
S/N: SATI-1805-HOGA-120–195823
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Details
Full Title:
Frontispiece to Taylor’s Perspective
Date:
C1822
Artist:
Condition:
In good condition.
Technique:
Copper engraving.
x 230mm
Frame Size:
750mm
x 580mm
x 380mm
AUTHENTICITY
Genuine antique
dated:
1822
Description:
Scarce engraving by William Hogarth from the Heath/Cradock issue of the engraved plates.
Hogarth designed this image for Kirbey’s, Perspective of Architecture.
From Hogarth, William. The Works of William Hogarth From the Original Plates Restored by James Heath. With the Addition of Many Subjects Not Before Collected to which are Prefixed a Biographical Essay on the Genius and Productions of Hogarth and Explanations of the Subjects of the Plates by John Nichols. Published by Baldwin, Cradock, and Joy., London, 1822
References:
Haslam, F. From Hogarth to Rowlandson. Liverpool 1996 ::.
Paulson, R. Hogarth's Graphic Works. London 1989 ::.
Paulson, R. Hogarth's Graphic Works. London 1989 ::.
Collections:
University Library Melbourne: record=b1500251
State Library New South Wales: 74VvBAye3BvO
National Library Australia: Bib ID: 6575364
British Museum London: 1937,0302.1
University of Adelaide: 76 H715
:
Haslam, F. From Hogarth to Rowlandson. Liverpool 1996 ::.
Paulson, R. Hogarth's Graphic Works. London 1989 ::.
Paulson, R. Hogarth's Graphic Works. London 1989 ::.
Collections:
University Library Melbourne: record=b1500251
State Library New South Wales: 74VvBAye3BvO
National Library Australia: Bib ID: 6575364
British Museum London: 1937,0302.1
University of Adelaide: 76 H715
:
William Hogarth (1697 - 1794)
Hogarth was born in London, the son of an unsuccessful schoolmaster and writer from Westmoreland. After apprenticeship to a goldsmith, he began to produce his own engraved designs from 1710. He later took up oil painting, starting with small portrait groups called conversation pieces. He went on to create a series of paintings satirising contemporary customs, but based on earlier Italian prints, of which the first was ‘The Harlot’s Progress’ (1731), and perhaps the most famous ‘The Rake’s Progress’. His engravings were so plagiarised that he lobbied for the Copyright Act of 1735 as protection for writers and artists.
