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Please read condition report, price reflects the damage noted. The best colonial view of Millers Point in 1844 by this important Australian artist, with the Lord Nelson Hotel clearly named on the right. Rare. Miller’s Point at the time was … Read Full Description
$A 950
Within Australia
All orders ship freewithin Australia
Rest of the World
Orders over A$300
ship free worldwide
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The best colonial view of Millers Point in 1844 by this important Australian artist, with the Lord Nelson Hotel clearly named on the right. Rare. Miller’s Point at the time was an isolated village and difficult to access until Argyle cut opened in 1846.
By the 1840s the terrain was lightly populated, with workers’ cottages near the wharves and fine houses of wharf owners and merchants adorning the elevated streets. But with access to town still difficult, Millers Point remained isolated from and, socially, a cut above, its neighbour, The Rocks. This distinction was reduced, and access improved, once the high rocks were hewn through with the creation of the Argyle Cut in 1846.
At centre of the lithograph was the last remaining wooden windmill in Miller’s Point: By 1822 there were three wooden windmills erected on the high ground there, west of Sydney Cove, apparently run by a local character, Jack Leighton. Known as ‘Jack the Miller‘, he met an untimely death in 1826 when he fell, ‘in a state of intoxication’, from a ladder leaning against one of his mills. His original mill was near today’s Bettington Street, on the high ground just past Dalgety Terrace. The second mill was built on land granted to Joseph Underwood in 1817 ‘for the purpose of erecting a windmill thereon‘. It was situated west of present day Merriman Street and was demolished in 1842 and replaced by a terrace of three houses.
The third windmill (the one in the lithograph), in the Merriman Street area, was still standing in the 1840s on land owned by a Mr Davis. The date of its disappearance is uncertain.
John Skinner Prout (1805 - 1876)
John Skinner Prout (1805-1876) Important colonial artist born in England Prout emigrated to Australia in 1840 with his wife and seven children. He soon became involved in the colonial life as a commercial artist, lecturing and publishing his own series of lithographs titled, Sydney Illustrated and Tasmania Illustrated in 1844-1846. His time in Tasmania teaching drawing, sketching and watercolours created interest and fostered a number of colonial amateurs. He is represented in all major institutional collections. English artist, born in Plymouth, the nephew of Samuel Prout (1783-1852), whose architectural works were praised by John Ruskin. In 1828, John married Maria Heathilla Marsh in Devon. He taught himself art and dabbled in lithography. His focus was on capturing topographical views of ancient sites in western England. Moving to Sydney in 1840, he faced challenges but found success, including illustrating a journal and giving art lectures. He later visited Tasmania, where he gave popular lectures and published illustrated works. Tragedy struck with the death of his son in 1845. Prout returned to London in 1848, where he continued to promote Australian themes through lectures and publications. He died in 1876, leaving behind a significant artistic legacy. His influence on Tasmanian art was profound, inspiring a surge in landscape painting.
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