C1886

St. Mary’s Cathedral, Sydney.

View of St Mary’s taken from an architectural drawing as the spires were not completed in the C19th and were only added in 2000. References: Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976: 9829g. Hughes-d’Aeth, T. Paper Nation … Read Full Description

$A 85

In stock

S/N: PAA-NS-3785–223030
(B006)
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Details

Full Title:

St. Mary’s Cathedral, Sydney.

Date:

C1886

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size: 

108mm 
x 162mm
AUTHENTICITY
St. Mary's Cathedral, Sydney. - Antique View from 1886

Genuine antique
dated:

1886

Description:

View of St Mary’s taken from an architectural drawing as the spires were not completed in the C19th and were only added in 2000.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976: 9829g.
Hughes-d’Aeth, T. Paper Nation : The Story of the Picturesque Atlas of Australia. Melbourne 2001:

Collections:
National Library Australia: Bib ID 1654251
National Gallery Australia: LEGACY ID 34588
Royal Collection Trust UK: RCIN 1046852
Getty Museum Los Angeles: Object name: 1218593
State Library New South Wales: RECORD IDENTIFIER 74VvDRQZXzWd
State Library Victoria: CCF 919.4 G19

Albert Henry Fullwood (1863 - 1930)

English artist trained at the Birmingham School of Art before emigrating to Sydney in 1883. He initially worked for John Sands Ltd and as an illustrator for Henry Parkes Garran, while travelling widely across northern Australia, New Guinea, and New Zealand. In the 1880s he associated with leading colonial artists, including Tom Roberts and Arthur Streeton, and, encouraged by Livingston Hopkins, developed a strong interest in etching. He contributed illustrations to prominent British and Australian periodicals and was active in the Art Society of New South Wales, later helping to establish the Society of Artists.

In 1900 Fullwood relocated abroad, spending a year in New York before settling in London, where he worked as an illustrator and exhibited at the Royal Academy of Arts and the Salon de la Société des Artistes Français. A member of the Chelsea Arts Club, he served during the World War I with the Allied Arts Corps and later the Royal Army Medical Corps. In 1918 he was appointed an official artist with the Australian Imperial Force in France, depicting the Western Front. Returning to Sydney after demobilisation in 1919, he co-founded the Australian Painter-Etchers’ Society with John Shirlow and became a member of the Australian Watercolour Institute. He died of pneumonia on 1 October 1930.

View other items by Albert Henry Fullwood

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