C1915

Sula Serrator. (Australian Gannet).

Superb c.19th lithograph with original hand colouring, of the Australian Gannet from the last great series on Australian ornithology, The Birds of Australia by G. Matthew’s. This series is rarer than John Gould’s work on Australian birds, with only 225 sets made. … Read Full Description

$A 125

In stock

S/N: BI-AA-MATH-226–222324
(C102)
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Details

Full Title:

Sula Serrator. (Australian Gannet).

Date:

C1915

Engraver:

Witherby & Co 

Condition:

In good condition.

Technique:

Lithograph with original hand colouring.

Image Size: 

220mm 
x 185mm

Paper Size: 

337mm 
x 235mm
AUTHENTICITY
Sula Serrator. (Australian Gannet). - Antique Print from 1915

Genuine antique
dated:

1915

Description:

Superb c.19th lithograph with original hand colouring, of the Australian Gannet from the last great series on Australian ornithology, The Birds of Australia by G. Matthew’s.

This series is rarer than John Gould’s work on Australian birds, with only 225 sets made. It was the last series produced using the laborious process of hand colouring of each individual lithograph.
Modern binomial name: Morus serrator
First described: Gray, 1843
Distribution: WA, SA, VIC, NSW, QLD

References:
Anker, J. Bird Books and Bird Art. Amsterdam 1979 : 328.
Nissen, C. Die illustrierten Vogelbucher. Stuttgart 1995 : IVB 605.

Collections:
State Library New South Wales: Call Numbers: MRB/F598.2/M
State Library Victoria: RARESF 598.2994 M42
State Library of Western Australia: Call Number Q 598.2994 MAT
State Library South Australia: Rare Books Room 598.294 M429
National Library Australia: Rex Nan Kivell Collection ; NK9772
State Library Queensland: RBF 598.2994
National Museum of Australia: Call no: AIA F 598.2994 MAT

Henrik Gronvold (1858 - 1940)

Gronvold was a Danish born artist who, after studying, entered the military as a draughtsman. On leaving Denmark he obtained work at the British History Museum in London. This image is from the last great bird series, The Birds of Australia by G. Matthews and is rarer than John Gould’s work on Australian birds, with only 225 sets done. It was the last series produced to use hand colouring rather than colour printed lithography for the illustrations.

View other items by Henrik Gronvold

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