C1777

The Landing at Tanna one of the New Hebrides.

Artist:

William Hodges (1744 - 1797)

Rare engraving from the official British Admiralty sanctioned edition of the accounts of Cook’s second voyage. All other later copies made of this image by other publishers were unauthorised, usually smaller and inferior in quality. The view depicts Cook landing … Read Full Description

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S/N: CK02E-2054-PI-VANU–224750
(C013)
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Details

Full Title:

The Landing at Tanna one of the New Hebrides.

Date:

C1777

Artist:

William Hodges (1744 - 1797)

Engraver:

I.K.Sherwin 

Condition:

Two very small areas of retouching at top, not noticeable, otherwise in good condition, folds as issued

Technique:

Copper engraving.

Image Size: 

470mm 
x 240mm
AUTHENTICITY
The Landing at Tanna one of the New Hebrides. - Antique Print from 1777

Genuine antique
dated:

1777

Description:

Rare engraving from the official British Admiralty
sanctioned edition of the accounts of Cook’s second voyage. All other later
copies made of this image by other publishers were unauthorised, usually
smaller and inferior in quality.

The view depicts Cook landing on the island of Tana, where he remained between 6 to 20 August 1774.

Cook’s landing party is approaching the beach, showing Cook holding the fronds of a palm in his right hand and the holding the barrel of his musket in his left. At the extreme left is a party of Tanan men brandishing clubs and spears, and another similar party at centre. Between the two parties are three older men, without weapons, who gesture with their open hands. They each stand in front of a separate pile of ‘a few bunches of plantains, a yam and two Tara roots’ and before each of them a small reed stuck ‘at right angles to the sea shore’. Cooks Journal II, 484-5.

References; Beddie 1381-59, p.269. Joppien 2.134A, ill.p.234

 

From Cook’s, A Voyage Towards the South Pole, and Round the World, performed in His Majesty’s Ships the ‘Resolution’ and ‘Adventure’, In the Years 1772, 1773, 1774, and 1775.

Biography:

William Hodges (1744-1797)

William Hodges was born in London, the only son of Ann and Charles Hodges, a blacksmith of St. James’ Market London. They encouraged their son’s talent for drawing and placed him in William Shipley’s drawing school at Castle Court in the Strand. Joining Richard Wilson as an apprentice in 1758, he was required to assist his master ‘in dead colouring and the forwarding of pictures’. A short period of study under Wilson and Cipriani at the Duke of Richmond’s Gallery developed his style for classical composition. He was appointed artist on the Resolution and left Plymouth on 13 July, returning on 29 July 1775.

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