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C1847
Tu Kaitote, the Pah of Te Whero Whero, on the Waik…
Rare, c.19th hand coloured lithograph of Tu Kaitote Pa by George French Angas. Angas’s description: Tu Kaitote, on the banks of the Waikato river, is the principal abode of the celebrated Chief Te Werowero, who is the head of all … Read Full Description
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Full Title:
Tu Kaitote, the Pah of Te Whero Whero, on the Waikato, Taupiri Mountain in the Distance.
Date:
C1847
Engraver:
J.W.Giles
Condition:
In good condition.
Technique:
Lithograph with original hand colouring and gum Arabic highlights.
Image Size:
320mm
x 230mm
Paper Size:
538mm
x 360mm
AUTHENTICITY
Genuine antique
dated:
1847
Description:
Rare, c.19th hand coloured lithograph of Tu Kaitote Pa by George French Angas.
Angas’s description:
Tu Kaitote, on the banks of the Waikato river, is the principal abode of the celebrated Chief Te Werowero, who is the head of all the Waikato tribe. The district around Kaitote is famous for its fine kumera grounds, the soil being composed of a rich alluvial mould, and the native cultivations exhibit an unusual degree of care and attention. The scenery of the Waikato is here very picturesque; steep wooded hills descend towards the waters edge, and the high mountain of Taupiri (famous amongst the natives as a landmark of old renown,) rises abruptly in a pyramidal form, nearly opposite the Pah, on the other bank of the river. The site of an ancient fortified Pah occupies the hill to the right, some of the mounds and ditches of which are still discernable. Te Werowero and his tribe have embraced Christianity, and on the left of the sketch is represented a portion of the chapel, with the bell used for calling the inhabitants of the Pah to worship. The Rev. J. Ashwell, the Church Missionary at Pepepe, a station about two miles distant, usually conducts the services here. All the houses are built of raupo, a species of reed, and the roofs are fastened by means of the dried stems of a clematis. Some of the canoes, drawn up on the banks of the river outside the Pah, are of very large dimensions; I observed one, thatched over to preserve it from the weather, measuring nearly seventy-feet in length; it was gaily painted red, and ornamented with a profusion of feathers, the head and stern-post being richly carved; its name was “Marutuahi,” which means literally, a “slaying, or devouring fire.” The scene represented in the sketch is during a korero, or meeting of chiefs, for the purpose of delivering speeches on some subject of importance.”
In July 1844 Angas sailed to New Zealand and having arrived unexpectedly at Port Nicholson (Wellington), he travelled to Porirua, where he met Te Rauparaha and Te Rangihaeata. He sailed to Mana Island, south to Cloudy Bay, and then north to Auckland, where he visited Ōrākei pā. In the company of a sub-protector of aborigines, he travelled through Waikato to Lake Taupo and the volcanic plateau, a journey he documented in numerous drawings and watercolours. His portraits and drawings of Māori clothing, artefacts, dwellings and customs formed the basis for the series, New Zealand Illustrated.
From: George French Angas, The New Zealanders Illustrated. London 1847
References:
Abbey, J.R. Travel in Aquatint and Lithography 1770-1860. London 1972: II-589.
Hocken, T.M., A Bibliography of the Literature Relating to New Zealand. Wellington 1973 : 129.
Wantrup, J. Australian Rare Books. Sydney, 1987 : 311-316.
Tooley, R.V. English books with coloured plates, 1790 to 1860. Folkstone 1973 : 61.
Collections:
Te Papa Museum of New Zealand: RB001060
Auckland Council Libraries: 995.3 A58
State Library South Australia: 919.30222 A581 d
State Library New South Wales: Record Identifier 74VvrkMjpglM
State Library Victoria: Record ID 992703953607636
George French Angas (1822 - 1886)
Angas was a painter, lithographer, engraver and naturalist, fourth child and eldest son of George Fife Angas, a merchant and banker. As the eldest son he was expected to join his father's firm, but some months in a London counting house proved a disillusioning experience. In 1841 he took art lessons for four months from Benjamin Waterhouse Hawkins, a natural history painter and lithographer, and armed with this instruction set out to see the world. He began in the Mediterranean publishing, A Ramble in Malta and Sicily in the Autumn of 1841.......Illustrated with Sketches Taken on the Spot, and Drawn on the Stone by the Author, the following year. Angas's father had established the South Australian Company in 1836 and had large areas of land as well as banking interests in the province. George French sailed for South Australia in 1843 in the Augustus, arriving in Adelaide on 1st January 1844. Within days he had joined an exploring party selecting runs for the South Australia Company. They traveled through the Mount Lofty Ranges to the Murray River and down to Lake Coorong and Angas sketched views of the countryside, native animals and the customs and dwellings of the Narrinyerri people. Later he drew scenes on his father's land - 28,000 acres in the Barossa Valley - and accompanied George Grey's expedition to the then unknown south-east as unofficial artist. In July 1844 Angas visited New Zealand. Guided by two Maoris, he traveled on foot and by canoe through both islands, painting portraits of Maoris and views. Angas's father died in 1879, leaving a vast estate from which George French received only a annuity of 1000 pounds. In 1884 he went to Dominica on a collecting expedition, finding shells, moths, butterflies and birds. Dogged by rheumatism and neuralgia during his last years, Angas died in London on 4 October 1886.
