C1878

Wesleyan Centenary Chapel, Sydney

Artist:

Scarce hand coloured c.19th engraving of the Wesleyan Centenary Chapel, Sydney built in 1840 to a design by Josiah Atwool. Like Wesleyan chapels all over the world, it celebrated the centenary of the conversion of John and Charles Wesley in … Read Full Description

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S/N: SI48-NS-023–225822

(B005)

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Details

Full Title:

Wesleyan Centenary Chapel, Sydney

Date:

C1878

Artist:

Joseph Hutchins Fowles (1810 - 1878)

Engraver:

F.Mansell

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size:

220mm

x 115mm

Paper Size:

269mm

x 210mm

Genuine antique
dated:

1878

Description:

Scarce hand coloured c.19th engraving of the Wesleyan Centenary Chapel, Sydney built in 1840 to a design by Josiah Atwool.

Like Wesleyan chapels all over the world, it celebrated the centenary of the conversion of John and Charles Wesley in 1739.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 : 9715.

Collections:
National Library Australia: Bib ID: 7289297
State Library New South Wales: 991001269919702626

Joseph Hutchins Fowles (1810 - 1878)

Fowles arrived in Sydney from London in August 1838, accompanied by his wife, as cabin passenger on the Fortune. He came to public attention in 1847 with his contributions to the first exhibition of the Society for the Promotion of Fine Arts in Australia. In July 1848 Fowles issued the first part of his series Sydney in 1848 which contained 'elegant' streets and buildings which were made with painstaking accuracy 'to remove the erroneous and discreditable notions current in England concerning this city'. By 1858 Fowles had won a new reputation when Bell's Life in Sydney and Sporting Chronicle designated him 'Our Colonial Herring' as a result of a series of portraits of 'celebrated Australian cracks', racehorses and riding horses. By 1855 Fowles was training and examining young art teachers in drawing for the National Board of Education. In an obituary notice he was described as 'Father of drawing in the city'.

View other items by Joseph Hutchins Fowles