C1784

A Woman of Van Diemen’s Land.

qRare engraving from the official British Admiralty sanctioned edition of the accounts of Cook’s third and final voyage.  After staying with the wooding party, Cook returned to the ships, but shortly afterwards a party of several women and children appeared, as … Read Full Description

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S/N: CK03E-1101011-ABOR–185835
(C004)
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Details

Full Title:

A Woman of Van Diemen’s Land.

Date:

C1784

Condition:

In good condition.

Technique:

Copper engraving.

Image Size: 

220mm 
x 285mm
AUTHENTICITY
A Woman of Van Diemen's Land. - Antique Print from 1784

Genuine antique
dated:

1784

Description:

qRare engraving from the official British Admiralty sanctioned edition of the accounts of Cook’s third and final voyage.  After staying with the wooding party, Cook returned to the ships, but shortly afterwards a party of several women and children appeared, as King reported to Cook afterwards: ‘The Women wore a Kanguroo skin in the same shape as it came from the animal, tied over the shoulder and round the waist, but it was evidently intended for no other purpose than for the conveniency of carrying the child, for in all other respects they [are] as naked the men, and as black, with hair of the same Colour & texture. Some had their heads wholy shaved, some only on one side, while others again shaved all the upper part and leaving a circle of hair round the head as is the custom with some Fryers’. Cook Journal III, I, 55 (29 January 1777)
John Henry Martin, seaman on the Discovery, described the natives. “They have few, or no wants, & seemed perfectly Happy, if one might judge from their behaviour, for they frequently wou’d burst out, into the most immoderate fits of Laughter & when one Laughed every one followed his example Emediately.” 

References: Beddie 1743-7, p.339, Joppien 3.13A, ill.p.275

From Cook & King, A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere….

John Webber (1752 - 1793)

Born in London in 1752, the son of a Swiss sculptor. He received his early artistic training in London before continuing his studies in Paris under Jean-Georges Wille, where he developed the precise draughtsmanship that later distinguished his work. By the early 1770s he had returned to Britain and established himself as a promising young artist.

In 1776 Webber was appointed official artist to James Cook's 3rd and final voyage of exploration. The expedition, undertaken in HMS Resolution and HMS Discovery, sought a northern passage between the Pacific and Atlantic Oceans. During the voyage, which lasted until 1780, Webber produced an extensive visual record of the regions visited, including the Pacific Islands, the northwest coast of North America, and parts of eastern Asia. His drawings documented landscapes, settlements, flora, fauna, and the inhabitants encountered by the expedition, particularly in places such as Tahiti, Hawai‘i, and Nootka Sound. Webber was present during the final stages of the voyage, including the events surrounding Cook’s death at Kealakekua Bay in 1779. His work from this period includes some of the earliest European visual representations of Hawaiian society. Throughout the expedition he worked under demanding conditions, often producing rapid sketches in the field which were later refined into finished compositions.

Following his return to Britain, Webber prepared many of his drawings for engraving for the official account of the voyage, A Voyage to the Pacific Ocean, published in 1784. These images played a central role in shaping European understanding of the Pacific and its peoples. His work combined empirical observation with the compositional conventions of late eighteenth-century European art, and it contributed to the visual culture of exploration. Webber exhibited at the Royal Academy in London and continued to produce paintings and drawings based on his travels, as well as other subjects. He was elected an Associate of the Royal Academy in 1785, reflecting his professional standing. His later work included both exhibition pieces and commissioned works, though he remained best known for his Pacific imagery.

John Webber died in London in 1793 at the age of forty-one. His surviving drawings and paintings are held in major collections, including the British Museum and other institutions, and they remain an important visual record of Cook’s Third Voyage.

View other items by John Webber

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