C1940

…and a very good-night- with Sheaf Stout brewed by Tooth &Co. Limited, Sydney.

Artist:

Alan Douglas Baker (1914 - 1987)

Large advertising poster by Alan D. Baker of Sheaf Stout for Tooth’s Brewery. The seated gentleman is Alan Baker’s father. Tooth’s brewery was on Broadway, Sydney from 1835 until 1985 and known as, known as the Kent Brewery. It was … Read Full Description

$A 950

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S/N: POSTER-SHEAF-L001–226065
(M22)
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Details

Full Title:

…and a very good-night- with Sheaf Stout brewed by Tooth &Co. Limited, Sydney.

Date:

C1940

Artist:

Alan Douglas Baker (1914 - 1987)

Engraver:

William Brooks & Co 

Condition:

Minor creasing, otherwise in good condition, laid onto archival linen.

Technique:

Lithograph printed in colour.

Image Size: 

715mm 
x 960mm
AUTHENTICITY
...and a very good-night- with Sheaf Stout brewed by Tooth &Co. Limited, Sydney. - Vintage Print from 1940

Guaranteed Vintage Item
dated:

1940

Description:

Large advertising poster by Alan D. Baker of Sheaf Stout for Tooth’s Brewery. The seated gentleman is Alan Baker’s father.

Tooth’s brewery was on Broadway, Sydney from 1835 until 1985 and known as, known as the Kent Brewery. It was historically one of Australia’s oldest companies, having been established as a partnership in 1835 and listed on the then Sydney Stock Exchange in July 1961. The site is now residential units and shops.

Biography:

Alan Douglas Baker (1914 -1987)

Baker was the third child of Pearl and Henry Baker of Ashfield, Sydney. The family recognised that Alan showed the same talents as his brother Normand and, at 13 years of age, during his days at Canterbury Boys High, he enrolled to study drawing at J.S. Watkins Art School. He left Canterbury High two years later to become a full time art student. J.S. Watkins school was a fertile ground in which to study and to nurture young talent because of the competitive stimulus of senior students such as Henry Hanke, Normand Baker (his brother ) and William Pidgen who were all Archibald Prize winners. Great emphasis was placed on tonal drawing in pencil charcoal , pen and washes and after about 4 years Alan was allowed to paint in oil colour. He entered a self portrait in the Archibald at 18 years and it was accepted.
Alan became an instructor at the J.S.Watkins school until he went to New Guinea.

Commercial Art

As most artists could not make a living from their paintings they did commercial art. Alan had a thorough grounding in drawing and was able to have a successful career in that field. He did posters and 24 sheeters for Tooths Brewery. One important commission from Tooths was to decorate with paintings, the dining rooms of the prestigious hotels such as The Greengate Hotel at Killara, Mansions Hotel at Kings Cross, The Great Southern Hotel at Newcastle and The Cecil at Cronulla.

An exhibition of Australian Poster Art at the Powerhouse Museum featured many of Alans works and also two books on Pub Art have been published. He used himself and members of his family to pose for the advertisements. Alan served with A.I.F. in New Guinea from 1943 – 45. They had no positions as a war artist so Alan served with the small craft (boats) division, he painted portraits of many of the natives and officers.

Alan married Marjorie in 1946 and settled at Moorebank, on the Georges River, N.S.W. Tragically, in 1961, two of their three sons were drowned in a boating accident. Soon afterwards, the family moved to The Oaks, N.S.W.

The Oaks Years (1961 – 1987 )
Alan built a house , studio , gallery and framing workshop on 6 acres, which had been a eucalyptus forest belonging to the original Faulding estate. He cleared about 3 acres for gardens , fruit trees and ponds.The garden was a rich source for flowers he used in his paintings. In 1970 Alan commenced tutoring an informal art group in Camden. He gave generously of his extensive knowledge, and encouraged his pupils to have exhibitions. Many have become professional artists, including his son Gary. He had a great love of the Australian countryside and enjoyed travelling in his caravan with his family and dog, visiting the Flinders Ranges – South Australia, Central Australia, Queensland – especially Longreach, and Northern and Western New South Wales. On the south coast of New South Wales, at Gerroa, he had a holiday house. This was the source for many of his landscapes and seascapes. His works are in the New South Wales Art Gallery, the National Gallery – Canberra, Queensland Institute of Technology, the Hinton collection at Armidale, and many private and public collections.

He was a Fellow and Vice President of the Royal Art Society of New South Wales and on its Council for many years. He was also a trustee of the Marshall Bequest at the New South Wales Art Gallery. Alan was a member of Camden Rotary Club for eighteen years.

Source; http://www.garybaker.com.au/biographies/alan-d-baker.html

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