C1815

Doctor Syntax Mistakes a gentleman's house for an inn.

Amusing aquatint by THomas Rowlandson of f Dr Syntax the fictitious character created by William Combe (1742-1823) based on his early life of an adventurer.  From Combe’s, The Tour of Doctor Syntax, in the search of the Picturesque A Poem. Ackerman, … Read Full Description

$A 20

In stock

S/N: TTODSAP-009-COMIC–231962
(DRW02)
Categories:
Free Shipping

Within Australia

All orders ship free
within Australia

Rest of the World

Orders over A$300
ship free worldwide

See Shipping page for Terms & Conditions

Details

Full Title:

Doctor Syntax Mistakes a gentleman’s house for an inn.

Date:

C1815

Condition:

In good condition.

Technique:

Aquatint with original hand colouring.

Image Size: 

190mm 
x 109mm
AUTHENTICITY
Doctor Syntax Mistakes a gentleman's house for an inn. - Antique Print from 1815

Genuine antique
dated:

1815

Description:

Amusing aquatint by THomas Rowlandson of f Dr Syntax the fictitious character created by William Combe (1742-1823) based on his early life of an adventurer. 

From Combe’s, The Tour of Doctor Syntax, in the search of the Picturesque A Poem. Ackerman, London 1815

Thomas Rowlandson (1757 - 1827)

Thomas Rowlandson (1757 - 1827) was a draughtsman and printmaker whose distinctive social satire has become integral to the popular vision of late Georgian Britain. He was born in London in 1757 and educated at Dr Barwis’ school on Soho Square before attending the Royal Academy Schools from the age of fifteen. Rowlandson lived in the centre of London throughout his life, although he made several trips to continental Europe. Unusually for a Royal Academy student, Rowlandson seems never to have worked in oils, gravitating instead towards producing sketches and etchings for the print trade. Rowlandson began by making scabrous satires in the vein of his close friend and contemporary James Gillray, often on subjects such as the politicians William Pitt and Charles James Fox, the misdemeanours of the young prince of Wales (and future George IV), and events in post-revolutionary France. Unlike Gillray, however, he was equally adept making lyrical drawings and watercolours on a range of subjects, from imitations of Old Master paintings to picturesque landscapes. Rowlandson worked for many print publishers but his most important employer was Rudolph Ackermann, who kept Rowlandson in almost continual employment from 1798 onwards, making drawings for a wide range of books that exploited Rowlandson’s range for lyrical topography and gentle caricature. Rowlandson’s drawings and watercolours were also collected by many wealthy patrons. Rowlandson was healthy and industrious up until the last two years of his life. He died in 1827 and was buried in the church of St Paul’s, Covent Garden. Rowlandson’s work was neglected during the conservative Victorian period but since the 20th century he has been reappraised as one of the greatest of British graphic artists.

View other items by Thomas Rowlandson

Choose currency

Exchange rates are only indicative. All orders will be processed in Australian dollars. The actual amount charged may vary depending on the exchange rate and conversion fees applied by your credit card issuer.

Login

Register

Search

The List

Join our exclusive mailing list for first access to new acquisitions and special offers.