C1777

Man of New Zealand.

Rare c.18th engraving of Tuanui, (also known as Rangituanui), principal chief of the Ngati Hikatoa. From the official British Admiralty sanctioned edition of the accounts of Cook’s second voyage and the first and most superior issue of this engraving. He … Read Full Description

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Details

Full Title:

Man of New Zealand.

Date:

C1777

Condition:

Small tear at left sheet edge, otherwise in good condition.

Technique:

Copper engraving.

Image Size: 

220mm 
x 287mm

Paper Size: 

233mm 
x 292mm
AUTHENTICITY
Man of New Zealand. - Antique Print from 1777

Genuine antique
dated:

1777

Description:

Rare c.18th engraving of Tuanui, (also known as Rangituanui), principal chief of the Ngati Hikatoa. From the official British Admiralty sanctioned edition of the accounts of Cook’s second voyage and the first and most superior issue of this engraving.

He is shown with feathers in his hair, albatross feather earrings, moko and a bone toggle fastening his cloak. This likeness was taken aboard the Resolution in the Cape Kidnappers area on 22 October 1773. Tuanui was the recipient of two sows and two boars, from which the wild pigs known as ‘Captain Cookers‘ are descended. The engraved image is a reversal of the original red chalk drawing.

Hodges made the portrait for this engraving on 22 October 1773 on Cook’s second visit to Queen Charlotte Sound, New Zealand, from 22 October to 26 November 1773.

‘In the morning we were to the south of Cape Kidnappers, and advanced to the Black Cape. After breakfast three canoes put off from this part of the shore, where some level land appeared at the foot of the mountains. They soon came on board as we were not very far from the land, and in one of them a chief, who came without hesitation. He was a tall middle-aged man, clothed in two new and elegant dresses, made of the New Zealand glag or flax-plant. His hair was dressed in the highest fashion of the country, tied on the crown, oiled, and stuck with white feathers. In each ear he wore a piece of albatross skin with its white down, and his face was punctured in spirals and curved lines.’ 

From Cook, A Voyage Towards the South Pole, and Round the World, performed in His Majesty’s Ships the ‘Resolution’ and ‘Adventure’, In the Years 1772, 1773, 1774, and 1775. London 1777

References:
Beddie, M. Bibliography of Captain James Cook, RN,FRS, Circumnavigator. Sydney 1970: 1381-55, p.269.
Joppien,R. & Smith, B. The Art of Captain Cook's Voyages; Vol. I, II & III. Melbourne 1985-1987: 2.90A, ill.p.193.


Collections:
National Library New Zealand: Ref C-051-026
David Rumsey Collection: List No: 3404.057
National Gallery Victoria: Bib ID 562587
National Maritime Museum Greenwich: ID: PAI4105

William Hodges (1744 - 1797)

William Hodges was born in London, the only son of Ann and Charles Hodges, a blacksmith of St. James's Market London. They encouraged their son's talent for drawing and placed him in William Shipley's drawing school at Castle Court in the Strand. Joining Richard Wilson as an apprentice in 1758, he was required to assist his master 'in dead colouring and the forwarding of pictures'. A short period of study under Wilson and Cipriani at the Duke of Richmond's Gallery developed his style for classical composition. He was appointed artist on the Resolution and left Plymouth on 13 July 1772 and returned on 29 July 1775.

View other items by William Hodges

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