C1856

New offices of the Sydney Morning Herald, N.S. Wales

Artist:

Samuel Thomas Gill (1818 - 1880)

Very scarce lithograph of the Sydney Morning Herald’s office building from Samuel Thomas Gill’s Scenery in and Around Sydney. Originally founded in 1831 as the Sydney Herald, the newspaper was purchased by John Fairfax in 1841 who changed the name … Read Full Description

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S/N: NS-1856-GILL–189802
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Details

Full Title:

New offices of the Sydney Morning Herald, N.S. Wales

Date:

C1856

Artist:

Samuel Thomas Gill (1818 - 1880)

Engraver:

Allan & Wigley 

Condition:

In good condition.

Technique:

Image Size: 

223mm 
x 162mm
AUTHENTICITY
New offices of the Sydney Morning Herald, N.S. Wales - Antique Print from 1856

Genuine antique
dated:

1856

Description:

Very scarce lithograph of the Sydney Morning Herald’s office building from Samuel Thomas Gill’s Scenery in and Around Sydney. Originally founded in 1831 as the Sydney Herald, the newspaper was purchased by John Fairfax in 1841 who changed the name to The Sydney Morning Herald the following year. Today, it is the longest running Australian newspaper.

Artist:

Samuel Thomas Gill (1818-1880)

S.T.Gill as he is often now known, was born at Somerset, England, the son of Rev. Samuel Gill, Baptist minister, and educated at Plymouth in a school kept by his parents, and later at Dr Seabrook’s academy. His father taught him drawing and he was later employed in London as ‘Draftsman and Water Colour Painter’ by the Hubard Profile Gallery, an establishment which produced silhouettes. He arrived in South Australia in 1839 and by March 1840 he had established a studio in Gawler Place, Adelaide, which was open from ‘eleven till dusk’; he offered to produce portraits of human beings, horses and dogs, and to sketch houses and transfer the sketches ‘to paper suited for home conveyance’. In 1846 he accompanied the expedition Horrocks which reached the head of Spencer Gulf. In 1852 Gill travelled to the Victoria and in the next twenty years produced drawings, watercolours and lithographs of scenes of the Victorian and New South Wales gold fields. After 1870 Gill fell into obscurity and on 27 October 1880 he collapsed in Post Office Place, Melbourne, and was found to be dead when taken to hospital. Gill’s legacy is a large body of work which portrayed life during the greatest gold boom the world had seen.

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