C1874

New Zealand Gully Near Roehampton, Queen…

Artist:

James Carse Carse (1819 - 1900)

Finely engraved c.19th hand coloured view of the gold mining camp at New Zealand Gully, where gold was discovered in 1870 in a branch of Stony Creek, near Rockhampton, it was named New Zealand Gully. References: Ferguson, J. A. Bibliography … Read Full Description

$A 75

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S/N: BAIL-QC-2203–221817

(C041)

Categories: Queensland, AUSTRALIA, TOPOGRAPHICAL VIEWS

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Details

Full Title:

New Zealand Gully Near Roehampton, Queensland. sic

Date:

C1874

Artist:

James Carse Carse (1819 - 1900)

Condition:

In good condition

Technique:

Hand coloured engraving.

Image Size:

185mm

x 127mm

Paper Size:

269mm

x 202mm

Genuine antique
dated:

1874

Description:

Finely engraved c.19th hand coloured view of the gold mining camp at New Zealand Gully, where gold was discovered in 1870 in a branch of
Stony Creek, near Rockhampton, it was named New Zealand Gully.

References:
Ferguson, J. A. Bibliography of Australia Volumes 1-8, Canberra 1976 7280.

Collections:
National Library Australia: Bib ID 7337226
Library of Congress Washington D.C.: 43021238
State Library Victoria: RARELTF 919.4 B643AU
State Library New South Wales: Call Numbers:Q980.1/46D1
State Library South Australia: 919.4 B755 b
State Library of Western Australia: Call Number Q 994

James Carse Carse (1819 - 1900)

Carse was a British landscape painter born in Edinburgh and his father is said to have been Alexander Carse, a well-known painter of Scottish scenes and was enrolled at the new Royal Scottish Academy, where his father, having returned to Scotland from London, was a founding member. By 1869 Carse had visited both Australia and New Zealand, and exhibited work from these trips at the Melbourne Public Library. By 1876 he had helped to found Melbourne's Victorian Academy of Art and the New South Wales Academy of Art, and he had been awarded numerous prizes and awards. In that year he was described in New South Wales as the "perhaps the best painter in the colony" . In 1880 he joined a group who left the Academy of Art to create the Art Society of New South Wales.

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