C1875

The Golden Bough

Artist:

Joseph William Turner (1775 - 1851)

This subject comes from Virgil’s poem, the Aeneid. The Trojan hero, Aeneas, has come to Cumae to consult the Sibyl, a prophetess. She tells him he can only enter the Underworld to meet the ghost of his father if he … Read Full Description

$A 110

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S/N: TTGA-MYTH-003–226649
(DRW04)
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Details

Full Title:

The Golden Bough

Date:

C1875

Artist:

Joseph William Turner (1775 - 1851)

Condition:

In good condition

Technique:

Hand coloured engraving.

Image Size: 

250mm 
x 180mm
AUTHENTICITY
The Golden Bough - Antique Print from 1875

Genuine antique
dated:

1875

Description:

This subject comes from Virgil’s poem, the Aeneid.

The Trojan hero, Aeneas, has come to Cumae to consult the Sibyl, a prophetess. She tells him he can only enter the Underworld to meet the ghost of his father if he offers Proserpine a golden bough cut from a sacred tree. Turner shows the Sibyl holding a sickle and the freshly cut bough,in front of Lake Avernus, the legendary gateway to the Underworld. The dancing figures are the Fates. Like the snake in the foreground, they hint at death and the mysteries of the Underworld, amidst the beauty of the landscape.

Artist:

William Turner (1775-1851)

Turner began his artistic career at a very young age, selling his first painting at just 12 years old. Throughout his career he remained highly sought-after and acquired a very large fortune from his commissions. He is remembered as an influential painter, said to be the best landscapist of the 19th century, and a key artist to influence the Impressionist movement.

At 14, Turner entered the Royal Academy schools where he exhibited his watercolors. At age 19 he got a job as a reproduction artist, making copies of the unfinished drawings of John Robert Cozens, a recently deceased landscape painter. In 1796 Turner began to exhibit oil paintings in addition to his watercolors at the Royal Academy and soon was elected as an associate of the Royal Academy, he was 24, the youngest permitted age for such an honor. In 1802 he became a full academician and by 1807 he was appointed professor of perspective.

Turner travelled in quest for inspiration. He travelled throughout England and Wales and throughout Europe where he picked up the his love for marine subjects. In 1817, Turner set out for his first trip to Italy, spending three months in Rome, and visiting Naples, Florence and Venice. During these trips he produced about 1,500 drawings. He continued to travel around England, Scotland and the rest of the continent for inspiration.

Turner continued to paint and travel throughout the last 15 years of his life. He died at the age of 76, in 1851 in Chelsea. According to his wishes, he was buried in St. Paul’s Cathedral. The $140,000 he left to fund a charity was dispersed amongst distant relatives. He had planned that the majority of his fortune would help “decayed artists. “

Turner is remembered as the pioneer of light color and atmosphere.

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