C1860

The Township of Buninyong, Victoria

Scarce, c.19th hand coloured engraved view of Buninyong. Collections: National Library Australia: Bib ID: 1684707Royal Collection Trust UK: RCIN 1000637State Library Victoria: S 914.2A M36BRState Library South Australia: 994.02 M382State Library New South Wales: Record Identifier 74VKPGbdyQ4bState Library Queensland: Record … Read Full Description

$A 110

In stock

S/N: ACNSW-VC-001–198228
(C049)
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Details

Full Title:

The Township of Buninyong, Victoria

Date:

C1860

Condition:

In good condition.

Technique:

Hand coloured engraving.

Image Size: 

185mm 
x 119mm

Paper Size: 

267mm 
x 180mm
AUTHENTICITY
The Township of Buninyong, Victoria - Antique View from 1860

Genuine antique
dated:

1860

Description:

Scarce, c.19th hand coloured engraved view of Buninyong.

Collections:

National Library Australia: Bib ID: 1684707
Royal Collection Trust UK: RCIN 1000637
State Library Victoria: S 914.2A M36BR
State Library South Australia: 994.02 M382
State Library New South Wales: Record Identifier 74VKPGbdyQ4b
State Library Queensland: Record number 99183415416002061

Henry Winkles (1801 - 1860)

English engraver, architectural illustrator, and printer whose finely executed steel engravings became closely associated with the Gothic revival of the nineteenth century.

Born in 1801, he trained as a draughtsman in England before travelling to Germany, where in 1824 he partnered with the landscape painter and printmaker Karl Ludwig Frommel to establish the first steel-engraving studio in Germany, at Karlsruhe. His work combined precise architectural detail with a romantic picturesque sensibility characteristic of the period.

In late 1852 Winkles travelled to the Victorian goldfields in Australia, visiting Ballarat and Buninyong. During his stay he produced a remarkable series of sketches recording the early gold rush landscape and the daily life of miners. Unlike the grand panoramic scenes of contemporaries such as Eugene von Guerard, Winkles concentrated on intimate observations of diggers, camps, scarred ground, and twisted eucalypts, creating some of the most immediate visual records of the early Ballarat diggings. He returned to England in 1854 and continued working as an illustrator until his death in 1860.

View other items by Henry Winkles

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