C1864

[Woman in black dress]

Carte de visite of an unknown seated young women in a black dress taken by Henry William Burgin II (1830-1914) taken at his premises at his Parramatta studio. The chair and Victorian wrought iron balustrade are identified in a number … Read Full Description

$A 85

In stock

S/N: CDV-BURGIN-001–472553
(BC03)
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Details

Full Title:

[Woman in black dress]

Date:

C1864

Condition:

In good condition.

Technique:

Albumen photograph.

Image Size: 

59mm 
x 90mm

Paper Size: 

63mm 
x 101mm
AUTHENTICITY
[Woman in black dress] - Antique Photograph from 1864

Genuine antique
dated:

1864

Description:

Carte de visite of an unknown seated young women in a black dress taken by Henry William Burgin II (1830-1914) taken at his premises at his Parramatta studio. The chair and Victorian wrought iron balustrade are identified in a number of other Burgin II carte de visite in the a large collection of the photographs portraits of Parramatta residents (SLNSW Reference Code 441569).

References:
Davies, A. & Stansbury, P. The Mechanical Eye in Australia Photography 1841-1900. Wellington 1985 : 190.
Kerr, J. The Dictionary of Australian Artists Painters, Sketchers, Photographers and Engravers to 1870 Melbourne 1992 : p.478.

Henry William Burgin II (1830 - 1914)

Born in Parramatta, NSW, the eldest of three children of Henry William Burgin and Mary (née Gowen). By 1853, H.W. Burgin II was established as an ‘ophthalmic optician’ in at 183 Church Street North. He also operated a business as a jeweller, watch and clockmaker from the same Church Street premises, before taking up the photography in about 1860. Burgin married Grace E. Curtis at the Parramatta Presbyterian Church on 6th February 1851, and the couple had nine children, before Grace’s death in 1868. Burgin then married Ann Sanday in 1870. Burgin II was later joined in the watchmaking and photographic business by one of his sons, Henry William Burgin III (1852-1887). Carte-de-visite studio portraits dating from this period are held by the Mitchell Library, as is his wet-plate negative collection of 'Portraits taken at Parramatta’.  

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