C1891

The City of Sydney, N.S.W.

Impressively large and detailed birds eye view of Sydney in 1890 taken from above the Botanic Gardens looking west over the city. Further information in the title area states that the population of the city is 130,430 and in the … Read Full Description

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S/N: NS-1891-PANO–199926
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Details

Full Title:

The City of Sydney, N.S.W.

Date:

C1891

Condition:

Small areas of reinstated paper loss on the lower sections of three folds. Laid on archival linen. Otherwise in good condition.

Technique:

Hand coloured engraving.

Image Size: 

913mm 
x 553mm

Paper Size: 

970mm 
x 625mm
AUTHENTICITY
The City of Sydney, N.S.W. - Antique View from 1891

Genuine antique
dated:

1891

Description:

Impressively large and detailed birds eye view of Sydney in 1890 taken from above the Botanic Gardens looking west over the city.

Further information in the title area states that the population of the city is 130,430 and in the suburbs it is 269,430 making the total 400,180.

From the original edition of the Illustrated Sydney News.  

References:
Gibbs & Shallard. Illustrated Sydney News. ISSN 2203-5397.

Collections:
State Library New South Wales: F8/39-40
State Library Victoria: PCINF SLVIC=1853-1872
National Library Australia: Bib ID 440095

Albert Charles Cooke (1836 - 1902)

Cooke was a painter, engraver, draughtsman and illustrator. Throughout his career he worked for many of the Illustrated newspapers, such as the Illustrated Sydney News, Illustrated Australian News, The Australasian Sketcher and The Leader. He was also well known for a series of birds eye views of a number of Australian cities and towns.

View other items by Albert Charles Cooke

Georgius - George Alphonse Collingridge de Tourcey (1847 - 1931)

Collingridge was an artist and historian. He rarely used 'de Tourcey'. His parents moved to France in 1853 and he was educated at the Jesuit College, Vaugirard, and the Académie des Beaux-Arts, Paris, studying architecture under Viollet-le-Duc, wood-engraving and painting. Corot informally accepted him as a pupil, a very rare favour. In 1867, when Garibaldi invaded the Roman States, Collingridge joined the Papal Zouaves and took part in seventeen engagements, receiving no wounds but three medals, including the Mentana Cross. In 1869-70 he was back in Paris, returning to England after Sedan before settling again in Paris in 1872. Although he continued to paint throughout his career—he held his last exhibition in 1926—he now found his real métier in wood-engraving, then the staple form of graphics in such famous journals as the Illustrated London News and L'Illustration, for both of which he worked. On the advice of his brother Arthur (1853-1907), also an artist, who was already in Australia, Collingridge migrated in 1879 to join the Illustrated Sydney News, he also worked for the Australian Town and Country Journal and the Sydney Mail. Dissatisfaction with lay control of the existing New South Wales Academy of Art led the brothers to found the (Royal) Art Society of New South Wales in July 1880, and in 1888 they launched the short-lived Australian Art, the first such journal in the continent. Both brothers taught in schools and technical colleges. Between 1890 and 1925 Collingridge devoted two books and some thirty articles to establishing Portuguese priority to the charting of teh Australian coastline.

View other items by Georgius - George Alphonse Collingridge de Tourcey

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